Process Journal

Do you know what happens when your inbox has 150+ unread messages, and you’re so busy in the day job? Gems like this post for Process Journal can go mistakenly unread for weeks.

Process Journal is a quarterly released design publication that showcases the very best of Australian and international design. Thomas Williams tells us, “As you turn the pages you will se that we are not a magazine, we are not a book, but like to consider ourselves somewhere in between. We are about capturing beautiful work in a printed publication that takes a step back and allows the design to do the talking”.

Along with Edition One, we have launched a brand new website, that is now live. Our site will include regular updates on Process Journal, plus featuring new design work from from all studios and individuals featured in the publication.

vis-res

vis/res is a new publication produced 6 times a year to showcase emerging talent in graphic design and illustration. Each issue has a central theme and features contributing work from 10 designers & illustrators.

vis/res aims to bring something fresh to the zine market with an emphasis on crisp, clear design & beautiful print finishes. When you add to that a range of talented and exciting image-makers contributing to each issue, vis/res is a compelling new publication.

Bark Design / Fig.it Out

Big thanks to Bark Design for sending me a copy of their ace new summer publication ‘Fig.it Out’. The publication is a collection of their observations, notions, theme’s and ideas.

Otaku Magazine - Play

Otaku are glad to announce the launch of their new magazine issue, which has the theme Play. Preview it here or purchase the physical edition to get a bonus DVD and an A2-format poster by EbOY.

Deep Fat Fried Babe / My Brain

Deep Fat Fried Babe / My Brain is a new self published 2 in 1 split book release from Tom Hudson (1/4 Nous Vous collective) and from Leemun Smith (Kraffhics collective). The book holds a collection of personal investigative work from each of the artists;

Tom Hudson’s illustrative, lo-fi spazziness is an insight into his surreal imagination and combines random imagery and humour with it’s tongue planted firmly in cheek. Hudson’s work is the perfect contrast to Leemun Smith’s array of playful ‘cut and paste’ collages that depict surreal environments and re-invented characters. Nestled in the centre of the book where the two artists meet are two original pieces that are painstakingly created for every individual copy.

The book consists of 80 black & white pages (40 pages each artist) and is limited to only 100 copies. You can see more images here »